The “From Folklore to World Music” Colloquy takes place traditionally at the end of July, within a week-long Folk Music Holiday festival in Náměšť nad Oslavou, Czech Republic. The colloquy was launched in 2003, was repeated after a year-gap in 2005, and since 2007 it has been organized each year. Over the years, the colloquy has become a household name within the festival: not only because of its structured programme, but also for the core of its regular presenters and even for regularly attending visitors, though their number keeps increasing every year. The colloquy scope is quite wide; it invites presentations and discussion on ethnic music, traditional folk music, contemporary folk music, and world music. The speakers come both from a scholarly environment, and from music media: they are ethnologists, ethnomusicologists, ethno choreologists, musicologists, and aestheticians, as well as editors and writers, and quite often musicians as well. In fact, the meeting in one room of professionals from two opposite sides of the music field was the original intention of the colloquy founders. The theme of the colloquy differs each year (because it is related to the theme of the festival), but the attendees are united in their aim to discover all possible aspects of music “from folklore to world music”, to discuss it and to present their own special interest within the theme. Each year, presentations from the colloquy are published in a reviewed volume, which is available both in paper and electronic forms.
The 16th international colloquy on folk music, modern folk music, ethnic music and world music
From Folklore to World Music: Music and Words
Náměšť nad Oslavou, July 26 – 27, 2022
Where: CETT - Conference hall, Podhradí 127, Náměšť nad Oslavou
Entry: free of charge
Preliminary program of the colloquy
Tuesday July 26, 2022
9.30 – 10.00 registration (CETT - Konferenční sál, Podhradí 127, Náměšť nad Oslavou)
10.00 – 10.10 introduction
10.10 – 10.25 Martina Pavlicová, Lucie Uhlíková: Když hep hep není hop hop: písňové kulturní dědictví v kontextu politické korektnosti
10.30 – 10.45 Marta Ulrychová: Dudy, zpěv a poudačky (opožděná gratulace do západních Čech)
10.50 – 11.05 Barbora Turčanová: Dechaři versus překližkáři: moravská dychová hudba a slovesný folklór
11.10 – 11.30 break
11.30 – 11.45 Jiří Plocek: Píseň v poezii
11.50 – 12.05 Iivi Zájedová: „Kalevipoeg“ – z největších evropských eposů
12.10 – 12.25 Miloš Štědroň: Proměny operní melodiky – teze ke čtyřsetletému sváru slova a hudby v opeře
12.30 – 14.00 break
14.00 – 14.15 Matthew Sweney: Luke the Drifter
14.20 – 14.35 Irena Přibylová: Modrý měsíc nad Kentucky a další písňové texty Otce bluegrassu
14.40 – 14.55 Lee Bidgood: Title: Reflecting on Retexting
15.00 – 15.15 Jan Sobotka: Víc než jen hlas revisited – ohlédnutí za antologií písničkářské tvorby šedesátých a sedmdesátých let
15.20 – 16.00 discussion
Wednesday July 27, 2022
10.00 – 10.15 Aleš Opekar: Spirituál náram náramnej: z jakých zdrojů čerpala písňové texty první česká folková kapela Spirituál kvintet
10.20 – 10.35 David Livingstone: The Word of God Made Song: The Fisk Jubilee Singers and the Popularization of the African American Spiritual
10.40 – 10.55 Jiří Moravčík: Když hoří klobouk a hlava zůstane, ještě není nic ztracené
11.00 – 11.20 break
11.20 –11.35 Petr Dorůžka: Hudba jako rychlovlak přes jazykové bariéry
11.40 – 11.55 Milan Tesař: Jazyky nestátních národů na mapě evropské world music
12.00 – 12.15 Milan Zeibert: Sto roků samoty tomu, kdo hodně čte
12.30 – 14.00 break
14.00 – 15.30 seminar, discussion
© 2022